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Affinity Designer – Complete Feature List
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Log in now. This is especially true for some of the more advanced In this tutorial we'll be going over how you can resize the artboard in Illustrator. This is done by using a dedicated tool that allows you to scale the width and height in a multitude of Skip to content.
Leave a Reply Cancel reply Your email address will not be published. Read More. To outline text with Affinity Designer, create a duplicate layer of your text object, lower it beneath the original text layer, then use the Contour Tool to create an offset of it.
Be sure to change the color of the offset copy so that it will be visible against the original text layer. Click on the stroke color chip beside it and input Create now a shape with the Pen tool, and fill it with black The exact shape of the new object that you will create does not really matter, except that its bottom side needs to be straight, as in the image below. We need to put the wheels in place next.
In the Tools, pick the Ellipse tool, and drag over the canvas, creating a circle the same size as the wheel in the reference picture. Click Shift as you drag to make the circle proportionate. Additionally, holding Ctrl Windows or Cmd Mac , you can create a perfect circle from the center out.
Note: If you need to, hide the layers created thus far to see better, or simply reduce their opacity temporarily. Choose a random color that contrasts with the rest. I like to do so initially just so that I can see the shapes well contrasted and differentiated. When I am happy with them, I apply the final color. Zoom into your wheel shape. Press Z to select the Zoom tool, and drag over the shape while holding Alt key, or double-click on the thumbnail corresponding to it in the Layers panel.
A new circle will be placed on top of the original one. Select it. Repeat three times, reducing a bit more in size each time, to fit your reference. This will happen from your third smart-duplicated shape onwards. So, we have our concentric circles for the wheel, and now we have to change the colors.
You can select a color and modify it slightly to adapt to what you think works best. We need to apply fill and stroke colors. Remember to give the stroke the same width as the rest of the car 8 pixels except for the innermost circle, where we will apply a stroke of Now we want to select and group all of them together. Duplicate this group and, while pressing Shift , select it and drag along the canvas until it overlaps with the back wheel. Name the layer accordingly. We need to trace the front and back fenders.
We have to do the same as what we did for the main bodywork. Pick the Pen tool and trace an outline over it. Once it is traced, modify it by using the handles, nodes and Corner tool. I also modified the black shape behind the car a bit, so that it shows a bit more in the lower part of the body work. Now we want to trace some of the inner lines that define the car. For this, we will duplicate the main yellow shape, remove its fill color and place it onto our illustration in the canvas.
Press A on the keyboard, and click on any of the bottom nodes of the segment. You will see now that the selected node has turned into a red-outlined squared node. Click on it and pull anywhere. As you can see, the segment is now open. Click the Delete or Backspace key Windows or the Delete key Mac , and do the same with all of the bottom nodes, leaving just the leftmost and rightmost ones, and also being very careful that what is left of the top section of the segment is not deformed at all.
I use this method for one main reason: Duplicating an existing line allows for a more consistent look and for more harmonious lines. Select now the newly opened curve, and make it smaller in such a way that it fits into the main yellow shape when you place them on top of one another.
In the Layers panel, drag this curve into the yellow shape layer to create a clipping mask. The reason for creating a clipping mask is simple: We want an object inside another object so that they do not overlap i. Not doing so would result in some bits of the nested object being visible, which is not what we want; we need perfect, clean-cut lines.
Note: Clipping masks are not to be mistaken for masks. Masks, on the other hand, display a small vertical blue stripe beside the thumbnail. As complex as you like The engine behind Affinity Designer is built to handle huge documents so you can be confident in adding all those tiny details without any compromise to performance. Built for your workflow Thousands of designers around the world told us how they need their graphic design app to behave.
Timesaving functions The UI has been created to give you the best user experience possible so you can spend more time creating. Any device, anywhere Whether on Windows, Mac or iPad, the file format is exactly the same. Rock solid vector tools Affinity Designer is full of tools meticulously developed for achieving high productivity, while maintaining percent accurate geometry. Powerful contour tool Effortlessly add a contour to any object or increase the width of single open curves.
Advanced grids and guides The options you have for setting up grids and guides is almost unlimited. Unlimited artboards Layout all your screens, pages, menus and other items in a single project across any number of artboards.
Linked symbols Symbols allow you to include unlimited instances of the same base object across your project. Live pixel preview Pixel perfect designs are assured by viewing your work in pixel preview mode. Sophisticated typography Whether working with artistic text for headlines, or frames of text for body copy, you can add advanced styling and ligatures with full control over leading, kerning, tracking and more.
Professional output for print, screen or collaboration Advanced file support is at the core of the back-end technology behind Affinity Designer.
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